We want to share our secrets, that’s why we teach, collaborate, and concentrate our efforts on telling stories with heart. People are the heart of any story, we end up telling the stories of the people who inspire us. Speaking of people who inspire us, here is a conversation we had our friends and collaborators Story & Heart.
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Four years after his passing, we still haven’t quite caught up to Satoshi Kon, one of the great visionaries of modern film. In just four features and one TV series, he developed a unique style of editing that distorted and warped space and time. Join me in honoring the greatest Japanese animator not named Miyazaki.
If you love visual comedy, you gotta love Edgar Wright, one of the few filmmakers who is consistently finding humor through framing, camera movement, editing, goofy sound effects and music. This is an analysis and an appreciation of a director so awesome that Marvel had to fire him on a holiday.
Even though Martin Scorsese is famous for his use of music, one of his best traits is his deliberate and powerful use of silence. Take a glimpse at fifty years of this simple technique from one of cinema’s masters. SPOILERS for Shutter Island (2010), Superman (1978) and Man of Steel (2013)
Is there a better way of showing a text message in a film? How about the internet? Even though we’re well into the digital age, film is still ineffective at depicting the world we live in. Maybe the solution lies not in content, but in form.
Trent Reznor & Atticus Ross - In Motion (from The Social Network)
David Arnold & Michael Price - On the Move (from Sherlock)
Daft Punk - End of Line (from Tron: Legacy)
Al Hirt - Green Hornet Theme (from Kill Bill Vol. 1)